Friday, October 15, 2010

Autumn at Malwyd: Nothing Gold Can Stay

Urban decay and suburban sprawl are just blocks away from the Malwyd esate I have tended for 6 years, but St. Charles Seminary and the Merion Tribute House, with spacious grounds and tolling carillons, lend a pastoral air. On certain clear autumn days, the bells chime familiar old hymns, uncannily perfect for that moment. I have to stop work, and for those moments, just be.




Autumn announces its arrival with shafts of golden light. Summer is a glare of bright even illumination, but in the fall light, things glow, and cast long shadows. The sudden crimson of the dogwood leaves and rapidly rising pampas plumes mean rapid change is on the way.


The sky shifts rapidly in brisk autumn wind. Passing clouds change the light by the moment. Gazed through a mature pieris grove, a hint of golden ginkgo behind the gable.


The magisterial autumn blaze of a rugged ginkgo, against a cerulean November sky.



 Asters, dahlias and hibiscus light the burgeoning perennial garden.


Japanese anemones are among the best flowers for carefree late-season informal cottage garden bloom.


Weeping scarlet maple and Virginia creeper color the entry.



From September through November, the canopy changes subtly each day.


Golden pine needles carpet stone paths in the woodland garden. It is easy to forget that ys, pine trees shed their needles, too.


A few weeks later, scarlet stars fall from Japanese maples, creating a most perfect carpet. Walking these soft paths, a pure pleasure.


Scarlet stars on English ivy.


The gray sinew of the mature maple grove, blazing in autumn glory.


Late afternoon rays ignite a gnarled maple.


Perennial hibiscus, otherworldy and startling.


Sheffield daisies turn their faces toward the rapidly setting sun.


Perfect days, but not enough hours. The moon arises as we finish our work. As the poet said:

Come Nymphs and Shepherds, haste away
To the happy sports within these shady Groves;
In pleasant lives time slides away apace,
But with the wretched seems to creep to slow.

Friday, October 1, 2010

Three Perfect Days

The last day of September was picture perfect, and found me in Chester County, provisioning for the next day's horticultural adventures.

 October 1 found me in Center City, finishing three very rewarding urban horticulture jobs.



I shouldn’t have been startled at the end of a long workday to look up and see Liberty Place casting a long shadow down 16th Street, but I was. A week past the equinox, autumn’s rapidly shortening days creep up on me still. So immersed was I in despairing over dishearteningly compacted soil, untangling a pot bound liriape’s circuitous roots, and various other horticultural duties, I forgot for a moment I was in a city. The skyscraper’s sudden long shadow jarred me back.



Not that the day lacked urban excitement: a near miss with the notorious Philadelphia Parking Authority, axe-wielding firemen responding to a conflagration at a neighboring highrise, and, of course, the endless cavalcade: nosy neighbors, prospective clients, and just plain oddballs all having something to say to the dirty overall-clad guy carrying holly trees across Spruce Street.

But still, it is possible to forget. After a while you tune out the honking cabbies, the pedestrian cellphone chatter, the whirling med-evac copters, and it’s just the work: all-consuming, intensely rewarding, and just plain hard.

I only do it a few times a year, but my Center City landscaping days always feel epic. The logistics are half the battle: procuring the materials, conceiving a central drop point, lugging plants…soil...stones…everything…from homebase to the four properties I maintain in a few blocks radius. Everything must be brought in. For the most part, I am making stuff grow where nothing lived previously. And that is rewarding, so it’s worth my hassle
.


I walk two blocks east to deposit hard-earned money in the bank. I look up to see Broad Street illuminated. Standing on the island in the center of Philadelphia’s longest street, I realize that moments ago, so immersed in the zen of work, I forgot I was planting in a metropolis. Because the work is the work, and once you get past the surface noise, it feels basically the same wherever you do it.